One of the things learned over the years is every artistic work should be better than the previous.
An observation Sir Graham Sydney observed.
A fantastic driving force.
Pushing boundaries, operating at the limits of the mediums and ongoing skillsets development is one of the joys inherent in disciplines. Going through many failures is a great learning curve especially going through that "nothingless" describe by Cecil Collins.
The mention of which brings us to Prussian Blue
Prussian Blue, particularly this one from the 1960's, has certainly been a challenge. More so than any other pigment I've come across.
Arriving at that nothingless, even my own references taken during storms weren't working.
A trip to Stewart in Golden Triangle in Canada BC came up just in time and I looked forward to the anticipated mist and rain, especially as I dislike sunny days. Unfortunately sunny days is what we got which was most uncharacteristic. On the last couple of days however I got my wish and my inspiration returned.
The Golden Triangle is an area reserved for mining which has been going on since the 1800's. Stewart in BC is one of the access towns situated at sea level.
Current Works
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